Rentals

Briese
Briese 44: 2k

Briese 44: 2k

The focus 44 is a multi-talent. Its very hard light ensures graphic images, with plenty of contrast. At the same time it is the ideal (and only) companion for a quick, but challenging VIP shooting. Because in just 10 minutes, the light is ready for use and able to light a person from tip to toe from a distance of just 5 feet (1.5 meters).

Briese 77: 2k

Briese 77: 2k

Compared to the focus 44 the light of the focus 77 is way "softer" and ensures ultra-smooth harmonic progressions. Due to its soft reflective reflector-coatings it covers up some errors in the make-up and smoothes out wrinkles, without appearing flat. That makes the focus 77 to one of the most popular Beauty and Close Up-lights in Photographic and Film studios worldwide.

Briese 77: 1.2/2.5k HMI

Briese 77: 1.2/2.5k HMI

Briese 100: 2k

Briese 100: 2k

Compared to the focus 96, the focus 100 creates a much softer light while still being more vigorous than the "Beauty reflector" focus 77. With the focus 100 you can sift out details, animate surfaces or accentuate wrinkles in weathered faces. Good for atmospheric Close Ups, but also for shots from medium distances.

Briese 100: 1.2/2.5k HMI

Briese 100: 1.2/2.5k HMI

Briese 115: 2k

Briese 115: 2k

The 115 focus makes a very concrete light, comparable with that of the focus 96. However the focus 115 has an even greater range of lightings between "Spot" and "Flood": hard, soft and everything that's in between. With the focus 115 you can sift out details, animate surfaces or accentuate wrinkles in weathered faces. Good for atmospheric portraits and group pictures, but also for "Still" and "Food."

Briese 115: 1.2/2.5k HMI

Briese 115: 1.2/2.5k HMI

Briese 140: 2k

Briese 140: 2k

The focus 140 provides a similarly detailed and crisp light as the focus 115. It is a real Allrounder. Good for portraits, but also for group shots and whenever space is of no relevance. His Inventor H.W. Briese, says of this reflector: "If you have it, you'll never lose."

Briese 140: 5k

Briese 140: 1.2k/2.5k HMI

Briese 140: 1.2k/2.5k HMI

Briese 140: 4k HMI

The new Briese 1000hz Cinema 4 HMI Ballast guarantees flicker-free shooting with the dual modality of a 'Flicker Free' and '1000hz' setting, removing the uncertainty of using HMI's at frames rates up to 1000fps and beyond by supplying the lamp with 1000hz square wave current. There is also a '50/60hz' silent setting for when sound is a priority. Powering 1200w, 2500w and 4000w lights at the usual 208-240v input, this incredible ballast will now also power both 1200w and 2500w units @ 120v with the included adapters. Like the 2k Tungsten Briese, you can now power a 1200w Briese off house power. Ballast is connected to the power supply with a 220v Bates paddle, and includes DMX in/outputs.

Briese 180: 2k

Briese 180: 2k

The focus 180 makes the Briese-principle obvious. Fully focused it creates dramatic lighting with multiple screen differences between the centre and the edge of the picture. Almost like day and night. Perfect for strong accentuations. With just one setup you can create various lighting moods. Those characteristics make the focus be a main character at many fashion productions.

Briese 180: 5k

Briese 180: 1.2/2.5k HMI

Briese 180: 1.2/2.5k HMI

Briese 180: 4k HMI

The new Briese 1000hz Cinema 4 HMI Ballast guarantees flicker-free shooting with the dual modality of a 'Flicker Free' and '1000hz' setting, removing the uncertainty of using HMI's at frames rates up to 1000fps and beyond by supplying the lamp with 1000hz square wave current. There is also a '50/60hz' silent setting for when sound is a priority. Powering 1200w, 2500w and 4000w lights at the usual 208-240v input, this incredible ballast will now also power both 1200w and 2500w units @ 120v with the included adapters. Like the 2k Tungsten Briese, you can now power a 1200w Briese off house power. Ballast is connected to the power supply with a 220v Bates paddle, and includes DMX in/outputs.

Briese 220: 2k

Briese 220: 2k

Fashion photographer and filmmaker also love this reflector. It brings the sun into the studio and makes other light sources unnecessary. Another advantage is that this large reflector allows different camera positions, as you can stand directly in front of it during the shoot without casting a shadow.

Briese 220: 5k

Briese 220: 1.2/2.5k HMI

Briese 220: 1.2/2.5k HMI

Briese 220: 4k HMI

The new Briese 1000hz Cinema 4 HMI Ballast guarantees flicker-free shooting with the dual modality of a 'Flicker Free' and '1000hz' setting, removing the uncertainty of using HMI's at frames rates up to 1000fps and beyond by supplying the lamp with 1000hz square wave current. There is also a '50/60hz' silent setting for when sound is a priority. Powering 1200w, 2500w and 4000w lights at the usual 208-240v input, this incredible ballast will now also power both 1200w and 2500w units @ 120v with the included adapters. Like the 2k Tungsten Briese, you can now power a 1200w Briese off house power. Ballast is connected to the power supply with a 220v Bates paddle, and includes DMX in/outputs.

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